CRITIC JUDGEMENTS

“The Emperor concert that was suposed to close the evening, did more than that, it was really the opening, because this time a wonderful pact between the genius of Beethoven and the pianist took place. Guadalupe Parrondo already forms part of these international interpreters that leave us amazed before their inmense talent…”

Dôle - FRANCIA

“It is evident that Guadalupe Parrondo represents a special kind of pianist; she has her own aesthetics concerning pianistic touch and interpretative conception. Dinamism, ímpetus, volcanic temper, extraordinaire technical amplitud , gave to her interpretation a new value…”

Varsovia - POLONIA

“The version of 'Waldstein' was Formidable…precise, equilibrated, enérgetic, very well constructed, virtuosisim deployment that at the same time respected style…”

México, D.F. - MÉXICO

“Guadalupe Parrondo grows, trembles, she moltens with the music she interprets… an amazing artist, impersonal and absorptive…”

Barcelona - ESPAÑA

“The higly romántic Concierto para Piano y Orquesta written by mexican composer Manuel M. Ponce erected at the central point of the evening. Guadalupe Parrondo's vistuosism and musicality were ‘guilty ’ of that,  by showing her interpretative security at the piano. Parrondo was very applauded by the audience, that only allowed her to leave the stage after two grandiose 'encores'...”

Koblenz - ALEMANIA